Since other galleries are bringing the Street Art inside into the gallery, in response it seemed more appropriate (and less appropriating?) to put the gallery out in the street, in this case the rear exterior of the building in the alley. Help take back the alley, metro nashville #185, to be more specific.

Since other galleries are bringing the Street Art inside into the gallery, in response it seemed more appropriate (and less appropriating?) to put the gallery out in the street, in this case the rear exterior of the building in the alley. Help take back the alley, metro nashville #185, to be more specific.


NOVEMBER 2018: JEN UMAN

Selected images from the artist’s zine, printed by  Risology Club .  24 years ago my mom became a paraplegic. Over time her disability has grown slowly throughout her body leaving her fragile but strong minded. Her resilience gives me continued clarity to discern between real and wonderful problems and that living with vitriol resentment and drama is a luxury.  These are works I made over the past year while caring for my mom and the moments in between.   -Jen Uman

Selected images from the artist’s zine, printed by Risology Club.

24 years ago my mom became a paraplegic. Over time her disability has grown slowly throughout her body leaving her fragile but strong minded.
Her resilience gives me continued clarity to discern between real and wonderful problems and that living with vitriol resentment and drama is a luxury.
These are works I made over the past year while caring for my mom and the moments in between.

-Jen Uman


OCTOBER 2018: ZACH HOBBS

Cover Art for the release of Issue #0 of   SALT Weekly  , an alternative bimonthly zine.  Make a fascist clown cry today for the people of planet Earth. -Zach Hobbs  The archetypical fool, the clown, the Major Arcana #0 argues beyond the absolute utility of armchaired-radical-skepticism  because  we're all going to be fools for something -- narratively, neurologically, etc. Shan't we risk to choose the best possible things to be fooled by, toolboxing images formed at thought's limitation? May we practically embarrass our Self beyond the tabernacle of a stroked personality that snarks, "everything's relative" while trapped in a narrative about not getting trapped in a narrative? Lettuce practice in public and make their mistakes.  -Daniel Pujol, one of the zine’s co-founders

Cover Art for the release of Issue #0 of SALT Weekly, an alternative bimonthly zine.

Make a fascist clown cry today for the people of planet Earth. -Zach Hobbs

The archetypical fool, the clown, the Major Arcana #0 argues beyond the absolute utility of armchaired-radical-skepticism because we're all going to be fools for something -- narratively, neurologically, etc. Shan't we risk to choose the best possible things to be fooled by, toolboxing images formed at thought's limitation? May we practically embarrass our Self beyond the tabernacle of a stroked personality that snarks, "everything's relative" while trapped in a narrative about not getting trapped in a narrative? Lettuce practice in public and make their mistakes.

-Daniel Pujol, one of the zine’s co-founders


SEPTEMBER 2018: MATT SCOTT BARNES

When I was younger I was arrested for spreading images upon walls. I was forced to work full time or go to school. Ironically I still work part time and get paid to spread images across walls. Thank you Tennessee.  -Matt Scott Barnes

When I was younger I was arrested for spreading images upon walls. I was forced to work full time or go to school. Ironically I still work part time and get paid to spread images across walls. Thank you Tennessee.

-Matt Scott Barnes


AUGUST 2018: JOSH SHEARON

In my line of sight, a peripheral epiphany of composition. This roof to that roof, the vantage point of gratitude observed. And now today, the energy of a reflection so pronounced between us. This theta of introspection is illuminated; I am a vibration of habit.  -Josh Shearon

In my line of sight, a peripheral epiphany of composition. This roof to that roof, the vantage point of gratitude observed. And now today, the energy of a reflection so pronounced between us. This theta of introspection is illuminated; I am a vibration of habit.

-Josh Shearon


JULY 2018: ZACH HALFHILL & JOSH SHEARON

Nearing the 40th anniversary of Rock Against Racism, ‘MASSIVE UNITY WORDWIDE’ celebrates unity in its truest form — music. The sense of movement in the art commands you to dance and unite. And with an obvious nod to community collaboration and positivity — something’s got to change. Racists can’t dance, they got two left feet and no brain!  -Zach Halfhill    Vehemence is the vehicle, so get in, let’s go or let go. And unity is a collective consciousness popsicle in the sweetest flavor, an idea. Exercise the summer heat, process the beats, the rests, the movement in the streets. A new independence is bonding with opportunity.  -Josh Shearon

Nearing the 40th anniversary of Rock Against Racism, ‘MASSIVE UNITY WORDWIDE’ celebrates unity in its truest form — music. The sense of movement in the art commands you to dance and unite. And with an obvious nod to community collaboration and positivity — something’s got to change. Racists can’t dance, they got two left feet and no brain!

-Zach Halfhill

Vehemence is the vehicle, so get in, let’s go or let go. And unity is a collective consciousness popsicle in the sweetest flavor, an idea. Exercise the summer heat, process the beats, the rests, the movement in the streets. A new independence is bonding with opportunity.

-Josh Shearon